Nikon Af-s Dx Nikkor 55-200mm F/4-56g Ed Vr Ii Lens Reviews
In summary
An affordable telephoto zoom lens for Nikon'due south DX-format DSLR cameras.Designed as a second lens for DSLR kits, the AF-Due south DX VR Zoom-Nikkor 55-200mm f/iv-5.6G IF-ED offers an affordable selection for owners of Nikon'southward DX-format bodies who want a medium tele zoom lens. Compact and low-cal in weight, this lens is fabricated nearly entirely from plastic – right down to the mounting plate. Fortunately, overall build quality is good for a plastic lens and, coupled with the 18-55mm kit lens, buyers will go a very useful range of focal lengths without calculation much weight to their equipment. . . [more than]
Total review
The optical design diagram for the AF-Due south DX VR Zoom-Nikkor 55-200mm f/4-five.6G IF-ED lens. (Source: Nikon.)
A seven-bladed iris diaphragm closes to a circular aperture that produces attractive out-of-focus elements in shots. Minimum apertures range from f/22 at the 55mm position to f/32 at 200mm. Internal focusing allows use of angle-disquisitional attachments, such as polarisers and graduated filters and the lens is threaded to accept 52 mm filters.
Key features of this lens are the inclusion of Nikon'southward VR image stabilisation organisation and Silent Moving ridge Motor (SWM) focusing drive. The former claims to offer up to three f-stops of shutter speed compensation against camera shake, making it easier to obtain abrupt pictures when the lens is mitt-held. The latter provides almost silent autofocusing.
The AF-S DX VR Zoom-Nikkor 55-200mm f/iv-5.6G IF-ED lens. (Source: Nikon.)
Extending approximately 105 mm out from the camera torso (with lens cap fastened), this lens protrudes a further 40mm when zoomed out to the 200mm focal length. The pattern comprises 2 barrels, with the zoom and focusing rings attached to the outer barrel. There is no distance scale, no depth-of-field indicator and no markings for infrared focus correction.
The zoom ring is a broad (62 mm) band with a textured prophylactic grip covering most of its width. An engraved scale on the trailing edge (nearest the camera) carries markings for the 55mm, 70mm, 85mm, 105mm, 135mm and 200mm focal length positions. These are lined up confronting a gilded mark on the non-moving part of the lens barrel.
The focusing ring is a narrow (5mm broad) band just in front on the zoom ring. It can simply be moved when the lens is set up to manual focus mode, unlike the more expensive Nikkors which support manual over-ride of autofocusing. Fine – but relatively shallow – safe ridges provide a grip of sorts but the band is really too narrow for condolement.
On the left side of the main barrel are two sliders; one for switching between motorcar and manual focusing and the other for turning the VR stabilisation on and off. Unlike many AF-Southward Nikkors, you can't focus manually when the focus slider is on A. No zoom lock is provided -and none seems to be required as we found no evidence of slippage when the camera was carried with the lens pointing downwards. No lens hood was supplied with the review lens.
Handling
The review lens was a comfortable fit on the D5000 body we used for our tests and the combined camera-plus-lens felt reasonably well counterbalanced – although nosotros feel a slightly heavier lens would exist more stable at focal length settings beyond 100mm. The focusing ring turns through approximately 20 degrees, which makes it hard to obtain critical sharpness when focusing manually.
The zoom ring moves through well-nigh 35 degrees and we plant the markings on the lens barrel to exist close to accurate for the indicated focal length settings. Precise manual focusing is difficult considering of the narrow focusing ring and the limited amount of travel provided.
A weak bespeak of this lens is its lack of close-focusing capabilities. Minimum focus is i.i metres throughout the zoom range. Unlike more pricey telephoto zooms, no 'macro' settings are provided.
Operation
For its construction and price, the review lens turned in a better-than-expected performance in our objective and subjective tests. Test shots were sharper-looking with better dissimilarity and colour rendition than you lot would expect from the price of this lens and epitome quality was very even across the zoom range.
Best results in our Imatest resolution tests came from apertures betwixt f/6.3 and f/11 at most focal length settings. Interestingly, we did not find the expected sharp decline in performance at pocket-sized apertures that characterises many lenses. The graph below shows the results of our tests.
Centre and edge resolution were quite like throughout the discontinuity and focal length ranges, indicating a good flatness of field for the exam lens. Lateral chromatic aberration was mainly in the negligible band, with deviations into the depression band at the smallest aperture settings. No coloured fringing was apparent in test shots. The graph below shows the results of Photograph Review'due south tests, with the carmine line mark the border between 'negligible' CA and 'low' CA and the green line the boundary between 'low' and 'moderate' CA.
Slight vignetting could be seen at wide apertures, particularly at the shorter focal lengths. However, by f/7.1 vignetting was no longer visible. Distortion was as well quite well controlled, with no visible barreling and merely slight pincushion distortion at the 135mm and 200mm focal length settings. Neither of these problems is likely to be a major upshot for potential buyers of this lens.
Autofocusing is, unfortunately, relatively slow and the review lens showed a tendency to hunt in low light levels. Focusing was likewise slowed in brilliant and contrasty lighting, although not for slightly contre-jour shots. Petty flare could be seen in shots unless the lens was pointed direct towards the lord's day. Bokeh (out-of-focus blur) was bonny – but not spectacularly beautiful.
Buy this lens if:
– You desire a lightweight telephoto zoom lens for Nikon's entry-level DSLR bodies.
– You require performance levels to match the standard of Nikon'due south entry and lower mid-level DSLRs.
Don't purchase this lens if:
– You require fast autofocusing in depression low-cal levels (this isn't a lens for shooting indoor sports).
– You need close focusing capabilities.
IMATEST GRAPHS
SAMPLE IMAGES
55mm focal length, ISO 200, one/200 2nd at f/7.1.
150mm focal length, ISO 400, 1/500 second at f/5.6.
55mm focal length, ISO 400, i/80 second at f/four.v.
200mm focal length, ISO 800, 1/125 2nd at f/5.vi.
55mm focal length, ISO 200, 1/320 2d at f/9.
200mm focal length, ISO 200, 1/640 2nd at f/6.3.
200mm focal length, ISO 200, 1/500 second at f/5.6.
Close-upward: 200mm focal length, ISO 200, ane/250 second at f/5.six. Note the bonny bokeh.
Backlighting; 135mm focal length, ISO 320, 1/500 second at f/5.6.
Backlighting; 145mm focal length, ISO 320, ane/500 second at f/5.6.
180mm focal length, ISO 200, 1/500 2nd at f/5.6. The lens focuses easily on tedious-paced activeness.
122mm focal length, ISO 200, 1/320 2d at f/9.
Specifications
Picture angle: 28 degrees 50 minutes to 8 degrees
35mm equivalent focal length: 82.5-300mm
Maximum aperture: f/iv
Minimum aperture: f/22-32
Lens construction: fifteen elements in xi groups (one ED glass element)
Lens mount: Nikon F (DX sensors merely)
Diaphragm Blades: 7 (rounded)
Focus bulldoze: Congenital-in Silent Moving ridge Motor
Minimum focus: one.1m (throughout the entire zoom range)
Maximum magnification: 1:4.three
Filter size: 52 mm
Dimensions (Diameter ten 50): 73.0 x 99.v mm
Weight: 335 grams
Retailers
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Rating
RRP: $449
Rating (out of 10):
- Build: 8.0
- Treatment: 8.5
- Prototype quality: 9
- Versatility: 8.v
- OVERALL: 9.0
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Source: https://www.photoreview.com.au/reviews/dslr-lenses/dslr-lenses-aps-c/af-s-dx-vr-zoom-nikkor-55-200mm-f4-56g-if-ed-lens/
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